For all his charm, Johnson just can’t pull it off, though it’s not like Thurber bothered to craft him any helpful character-building breathers it’s just a kick-bollock scramble from action sequence to action sequence. We’re supposed to buy Johnson as a damaged everyman – a past mishap cost Sawyer a leg as well as his in-the-field self-confidence – yet we also have to swallow CG-reliant set-pieces that imbue him with superhuman capabilities, as well as a nonsensical, overegged plot which boils down to a tiff over a memory stick. The closest the script comes to self-awareness is a moment when Johnson prepares to climb the tower’s smooth glass exterior with duct tape wrapped around his mitts and shoe tips, and says to himself, “This is stupid”. The film is light on zingers and heavy on ersatz emotionality, primarily expressed through a Taken-ish ‘Daddy’s gotta save his little girl’ intensity once Johnson’s small-time security whizz is back in the terrorist-flamed super-building of the title, via that ludicrous, trailer-heralded crane jump. The Skyscraper Museum is an architecture museum located in Battery Park City, Manhattan, New York City and founded in 1996. Traaginen ja lyhyeksi jääneestä elämästä jäi jälkeen mm. Anna Nicole Smithin kuvauksellisuus ei ikävä kyllä välity elokuvassa kuin playboyn sivuilla, vaikka yritys on kova. Film Editing: 8. Costume Design: 8.493/10 Definitely well thought of and given importance from the beginning of the film. We really are back on stodgy San Andreas territory with this one Erikoislaatuisen kehno toimintaelokuvatekele. Cinematography: 8.442/10 The film flows seamlessly and looks good.
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